The
NEARFest Show Reviewed
The
extent of information that can be gleaned from the fossil record
never ceases to amaze. Not only have we found enough hollow, light,
and delicate bird bones to understand much of the Aves Class evolution
into modern birddom, but apparently we can also reconstruct the
jams that these birds used to dig. Patterning their music on the
tabulated charts of the more dominant birdsongsmiths in the Mesozoic
Hall of Fame, Birdsongs of the Mesozoic mines the archives of
these traditional indigenous scores from millennia gone by, concentrating
particularly on the early Cretaceous period when the Phylum Chordata
really started coming into its own. They use a satisfying combination
of sounds ranging from soft and natural (grand piano and flute)
to rough (edgy guitar and sax) and artificial (electric keyboards
and programmed percussion). Their chamber rock music is an adventure
of the unexplored and unexpected, oddly evoking "unfound"
moods, yet arranged in a reasonably accessible format. Despite
the lack of a standard drum kit and bass, the band could be a
force to be reckoned with. Alternately, it could be beautifully
stark. The stone etchings can prove cumbersome, which provided
an amusing moment when Rick Scott fumbled
a tablet from his note stand, causing the priceless relic to hit
the floor and scatter into pieces! He shrugged his shoulders,
grinned sheepishly and played on, never missing a Mesozoic beat.
A brilliant beginning. ...
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